The Entrance to Hillside at Taliesin, 1910 & 2009

The S.S. Badger

The S.S. Badger entered into service in 1953 and is the only coal-fired steamship remaining in operation in North America. Its unique propulsion system has been designated a national mechanical engineering landmark. Initially it transported railroad freight cars, but was outfit to also provide excellent passenger accommodations. With its use for railroad transport waning through the 1980s, the S.S. Badger fell out of commission in 1990. However, only a year later it was put into service as a car ferry and for the use of leisure passengers.

Appleton's Hearthstone, 1882

In 1991 Ann Kloehn, Appleton historian and former Friends of Hearthstone Inc. board member, wrote about the significance of Hearthstone, "The Hearthstone is a Victorian home of historical importance on the corner of Prospect and Memorial Drive. The Queen Anne style house was built by Mr. and Mrs. Henry James Rogers in 1881-1882.The house has national significance because it is the world’s first residence lighted from a centrally located hydroelectric power station using the Edison system and Edison incandescent light bulbs. Mr. Bowditch, curator of Industry for the Henry Ford Museum and Greenfield Village, stated after a visit here that the 'Hearthstone may well be the sole surviving example of wiring and electrical fixtures in their original location from the very dawn of the electrical age.' Hearthstone is Wisconsin’s 51^st Historic site and also is listed on the National Register of Historic Sites."

Fond du Lac Residential Design Guidelines

A brochure describing residential design guidelines for historic homes in Fond du Lac has been completed and now is featured on the city's website. It provides NPS-sanctioned guidelines for the sensitive care and repair of historic residences.  Additionally, it offers a historical overview of the community, a discussion concerning prevelent styles found in Fond du Lac's historic building stock and information on useful resources.

The Milwaukee Art Museum

Internationally-renowned Spanish architect Santiago Calatrava designed the Quadracci Pavilion (above) as an addition to the War Memorial Center (bottom), which has served as Milwaukee's Art Museum since 1957. The prominent Burke Brise Soleil in the Calatrava design, which was competed in 2001, is a kinetic sunscreen with a 217 foot span that opens and closes twice daily. Eero Saarinen's War Memorial also provides a graceful extension of Milwaukee's business district with the city's most distinctive asset, its waterfront location on Lake Michigan.

Olin House Project Wins Award

The Madison Trust for Historic Preservation awarded the Olin House Project recognition for excellence in residential restoration at a ceremony held at the Orpheum Theater last night. Olin House is owned by the University of Wisconsin and serves as the chancellor's residence. The project team consisted of:
Architecture Network, Inc., Project Architect
Bachman Construction, General Contractor
Affiliated Engineers, Inc., Mechanical, Electrical, Plumbing, IT
Professor Virginia Terry Boyd, Historic Interiors
Cornerstone Preservation, Historical Consultant
Hill Electric & IT, Electrical Contractor
H&H Industries, HVAC Contractor
Dave Jones Plumbing, Plumbing Contractor

Hillside, Spring Green, WI

The Hillside Building at the Taliesin Estate near Spring Green, Wisconsin was designed by Frank Lloyd Wright. Constructed in 1902, it functioned as part of an educational facility that was operated by the architect's aunts from the 1880s into the early 20th century. After the school closed in the teens Wright acquired the property, but the Hillside building stood empty for well over a decade and suffered from lack of use and vandalism. In 1932, Wright restored and rehabilitated Hillside and added a large drafting room at its north end. It since has functioned as the principal studio space for the Talieisn Fellowship during its summers in Wisconsin.

Fond du Lac Residential Guidelines Brochure

Cornerstone Preservation has been working with the City of Fond du Lac on a brochure intended to help the owners of city-designated historic residences undertake sensitive alterations to their properties. It provides information concerning the history of the community and important preservation-related references; it also describes the criteria by which proposed projects will be evaluated by the Fond du Lac Historic Preservation Commission. The overriding objective has been to create a tool that will assist building owners protect and enhance the historic character of their properties in a way that will not necessarily be more expensive.

Keepers' Houses, Lower Fox River Navigational System

Ten of what had been at least a dozen Lock Keepers’ residences remain in place along the historic waterway between Menasha and De Pere. Nine of them are cited as contributing elements to their districts in a multiple-property NRHP listing, “Waterway Resources of the Lower Fox River, 1850-1941” (approved October 25, 1993).

Constructed between 1892 and 1928, the houses are integral to the lock sites at Appleton Locks 1 and 3, Cedars, Little Chute Guard Lock, Combined Locks, Kaukauna 1, Rapide Croche, Little Kaukauna and De Pere. All are unoccupied, and in most cases have been for more than twenty-five years. Their mothballed status has contributed to their deterioration, and they have become targets for vandalism due to their relative isolation.

The Fox River Navigational System Authority (FRNSA) is at about mid-point in the process of returning the locks of the Lower Fox River to operation and now would like to take the steps necessary to secure the future of the former keepers’ residences. In taking measures to protect them from further deterioration, the FRNSA proposes to (1) complete roof and foundation repairs, (2) repair exterior walls by tuckpointing, repairing and replacing materials in-kind, and painting, and (3) complete hazard materials abatement (lead and asbestos).

The FRNSA eventually plans to rehabilitate the houses to function as important interpretive or hospitality features along the operational waterway. Anticipating the restored locks and canals will provide a significant enhancement to tourism, the presence of these integral and historically significant houses will lend character to the navigational system and provide multiple, related attractions along its route.

Wisconsin Memorial Hospital District Update

Last winter Cornerstone Preservation completed a Mitigation Plan for the Wisconsin Memorial Hospital complex at the Mendota Mental Health Institute in Madison. The plan was requested, and subsequently approved, by the Wisconsin SHPO. It was put into place to mitigate the adverse effect that the planned demolition of the centerpiece of the district, the main hospital and administration building, would have had on the district's integrity. Last week, Governor Jim Doyle ordered that demolition of the building not move forward and that the Division of State Facilities work with a private developer (with a great track record in Historic Preservation) to rehabilitate the structure.

October Progress Report: Combined Locks

The double lock has been tuckpointed and the replacement gates are being put back into place. The openings for the refurbished steel valves are apparent in this image. Eventually the valves will be positioned in the bases of the gates and the rest of the replacement timbers will be stacked to the height of the masonry walls. Work on the restoration and rehabilitation of Combined Locks is expected to be completed before winter settles in.

Historic Mendota Mental Health Institute

Few locations in Wisconsin are as culturally significant and multi-layered as the site of the Mendota Mental Health Institute (MMHI) on the northern shore of Lake Mendota. Located directly across the lake from the University of Wisconsin-Madison campus, the hospital was built by the state as one of its earliest institutions. The development of the hospital so early in state history indicates that the care of the mentally ill was a priority in Wisconsin from its first days of statehood.

Long before this lake side site was developed by the state as “lunatic asylum,” it was home to a Native American culture that flourished in the region. The artifacts left behind are broadly spaced earthen sculptures in a number of distinct groups. Although similar mound groups are found throughout the upper Midwest, concentrated in Iowa, Minnesota and Wisconsin, the groups at Mendota are unusual for their number and for that fact that they remain relatively intact. Representing a combination of abstract and animal forms, they were known to be associated with burials, but also functioned as emblems of clan identity and as art forms drawing on motifs from contemporaneous legends and lore.

A third distinct aspect of the history of the MMHI site is embodied by the Wisconsin Memorial Hospital complex, which was constructed by the state for the care of mentally impaired World War I soldiers. Prior to the construction of the complex, veterans were treated at the crowded Mendota psychiatric facility. The state assumed the cost of constructing and managing the facility, but the cost of treating soldiers suffering with “shell shock” was reimbursed by the federal government. Mental health services dedicated specifically to veterans was suspended by the mid-1930s, and since that time the Memorial Hospital complex has become part of the larger MMHI facility.

[Photos courtesy of Mendota Mental Health Institute]

Combined Locks

In the mid-1850s a pair of English artists, Samuel Brookes and Thomas Stevenson, were commissioned by Morgan L. Martin of Green Bay to paint a series of sketches showing the improvements that were underway on the Fox River. The image above, showing Combined Locks, is representative of the series of paintings produced by the pair. It shows a monumental masonry structure in a landscape that is in the process of being transformed by European settlement.

Fully functional by 1856 the locks of the Lower Fox River facilitated navigation in-land from Lake Michigan (through Green Bay) for 130 years. After being "mothballed" by the Corps of Engineers in the late 1980s and remaining in that status for nearly 20 years, the navigational locks of the Lower Fox were acquired by the State of Wisconsin in 2004 and currently are being restored and rehabilitated.

Oshkosh Water Treatment Plant

The Oshkosh Water Treatment Plant exists as a complex of buildings constructed between 1916 and 1999. The earliest portion of the plant was designed in 1915 by Chicago engineer Henry A. Allan. The new facility replaced a plant built in 1883 that had been operated by Warren G. Maxcy. In 1913 the City of Oshkosh assumed responsibility for water treatment and moved forward with the design and construction of a larger state-of-the-art rapid sand filtration plant. The city demolished Maxcy’s plant (shown in the foreground) shortly after the new facility became fully operational.

B.J. Jorgenson oversaw the construction of the 1916 plant as the city’s resident engineer. The capacity of the new “Water Works” was six million gallons of water every twenty-four hours with the ability to accommodate up to eight million gallons in twenty-four hours. Provisions were made for the eventual expansion of the plant to include a new pump. The fifty-thousand gallon steel tank in the tower was used to wash the filter sand from the bottom of the six filter beds that cleansed the water. Although the 1916 structure was connected by pipes to the low lift discharge in the earlier treatment station, the new structure was designed to function independently and did so by 1917.

While Allen’s focus in designing the plant was the efficiency of its water treatment systems, the building was detailed architecturally in the drawings developed for project. The cover sheet of the 1915 drawing set provides a three dimensional perspective that shows a somewhat grander view of the plant than realized; the grounds are shown with fountains and the principal entrance is formalized with light standards on the balustrade leading into the building.

The most prominent element of Allen’s design was the water tower situated in the north east corner of the plant. The tower, as was the balance of the plant, was constructed of red brick with stone string courses and coping. Clock faces, approximately eight-feet in diameter, were positioned in the upper part of each of the four tower façades. The roof was covered with red tile and its prominent triangular gables were provided with a decorative cornice of contrasting cut stone. This treatment was consistent with the roof and gables of the two-story portion of the plant. The exterior detailing of the plant, with its ornamentation of contrasting stone, is fully described in Allen’s design drawings.

The Water Treatment Plant has been modified and expanded over the years to serve the growing needs of Oshkosh’s population. Five substantial additions were placed on the 1916 plant between 1923 and 1949. Additional improvements were made at the site in 1958, 1967, 1983 and 1999 although all involved the construction of free standing buildings or structures, none of which were contiguous to the 1916 plant or tower.

(Photo courtesy the City of Oshkosh)

Historic Oshkosh Water Tower

The Oshkosh Water Tower, which holds a non-functional 50,000 gallon water storage tank, no longer satisfies the purpose for which it was constructed. Although highly regarded as a local landmark by members of the community, finding an alternate use for the structure will be challenging if not impossible. Since September 11, 2001 water treatment facilities are considered at high risk of terrorist threat. Therefore the Department of Homeland Security has initiated highly restricted public access to these sites. Considering the proximity of the tower to other functional assets on the property, the tower can be maintained only as a structure that would be seen from a distance.

Olin House Site Visit

The project site has been buzzing with activity for the past several months. The work is progressing nicely. It will be a fitting home for John Wiley's successor as UW-Madison's chancellor. The more public first floor spaces, intended for receptions and official university functions, are being restored and rehabilitated. The second and third levels, which will be dedicated to the private use of the chancellor and his or her family, are being fully refurbished. A new master suite was built in an area of the second floor that originally housed domestic help and had been substantially remodeled in the 1950s.

Wisconsin's Changing Rural Landscape

A rural outbuilding located along a back highway just outside of Black Earth in Dane County, Wisconsin did not survive the long winter. Already fragile from deferred maintenance, the strong winter winds and heavy snows likely conspired to cause its collapse. The ruin probably will vanish altogether in the upcoming months, leaving Wisconsin's iconic rural landscape with one less picturesque element.

Neglected Maintenance

These images, taken approximately fifty years apart, show rooms located in the same building. The first image shows a functional space that is being well maintained, while the second image shows a room in ruin with a ceiling that has collapsed onto the floor. Over a decade ago, use of the building was suspended and utilities were shut down. Infiltration of water into the structure went unchecked. The consequences were dire and unfortunately will result in the demolition of this once proud building.

Some Views of Taliesin, Spring Green

Trempleau, WI

Trempleau is a sleepy little Wisconsin town located on the Mississippi River about 100 miles south of the Twin Cities. It was a much livelier place when the use of the river and railroad were crucial to the movement of people and products. Remaining something of an outpost relative to Wisconsin's modern highway system, it has retained a good deal of its 19th century character.

Restored Timber Gates at Cedars Lock

The upper and lower timber gates in place at the outset of the 2007-08 Cedars project were installed in 1974–1975 by the United States Corps of Engineers. Since they are constantly subjected to water, the timbers have an operational life of approximately two to three decades. Maintenance over the last century has included the replacement of the timbers and the cleaning, repair, and replacement, as needed, of the metal components. In its maintenance efforts the COE replaced the historic gates in-kind repeatedly, and the two sets of paired wooden gates in place at the beginning of the current project were fairly close replicas of the gates that had been installed in the late 19^th century. Restoration was the approach determined appropriate to the timber gates, however the replacement of the timbers, a long-held tradition associated with the maintenance of the locks, was necessary.

C. R. Meyer secured Douglas fir from the Pacific Northwest (wood comparable to what had been used by the COE in the 1974–1975 rebuilding of the gates) for the replacement timbers. The wood was grade no. 2 or better and treated to .60 Alkaline Copper Quaternary (ACQ), which was selected as an environmentally friendly wood preservative. In cutting and milling timbers for the replacement gates, the necessary openings and curved ends of each beam, where the wood interfaces with the stone, were cut at the mill to expedite assembly and installation at the site.

Olin House, University Heights, Madison, WI

The Olin House has functioned as the official residence of the chancellor of the University of Wisconsin since 1925. It was designed fifteen years earlier as a private residence for John Olin, a prominent Madison attorney and member of the university law faculty.

In addition to having been engaged in a busy professional life practicing and teaching law, Olin’s principal avocation was the Madison Park and Pleasure Drive Association (MPPDA). Olin founded the organization in 1894 and served as its president until 1909. In this role he promoted park development in Madison; by 1909 the MPPDA had acquired approximately 265 acres of park land (much of it waterfront property), and the city had established a park commission. Olin’s wife, Helen Remington Olin also was dedicated to social concerns and was well known for her work with the Wisconsin Woman’s Suffrage Association and for her advocacy of a meaningful co-education curriculum at the University of Wisconsin.

John and Helen Olin selected Ferry & Clas of Milwaukee to design the house; at nearly the same time as securing the commission for Olin’s residence, Ferry & Clas were at work designing the Brittingham Boathouse in what had been a blighted waterfront area in Madison. Olin had the experience of working with the architects on the boathouse project as the president of the MPPDA.

The Olin House has been recognized as a contributing element within the University Heights Historic District, which was listed on the National Register of Historic Places in 1982. The University Heights district is an important resource for representing early suburban development in Madison, for the prominent individuals that chose to build there and for the fact that the district contains a residence designed by Louis Sullivan and another by Frank Lloyd Wright, located within blocks of one another. The Olin House is extremely well-built, well-designed and prominent within this important Madison neighborhood. Its site, which is many times the size of most neighboring lots, further distinguishes the Olin House. For its development, Olin secured the services of the nation’s most pre-eminent landscape architects to design a park-like setting for the residence.

English Tudor Revival references from the exterior are reintroduced in the scale, finish and detailing of the first floor living room, which the Olins furnished with some Arts and Crafts pieces. The large living room is thirty-two by seventeen feet, exclusive of its two alcoves; the ceilings are at thirteen feet and the walls are wainscoted with quarter sawn white oak to a height of 8½ feet. The oak woodwork was stained a dark shade, making it similar in color to the walnut trim in the dining room. The floor is constructed of eight-inch quarter sawn white oak veneer, approximately an 1/8^th inch thick, edged with thin strips of black walnut. Screws used to secure the boards were counter sunk and a small piece of wood used to conceal the screw. The oak boards were fastened together with glue to prevent shrinking. Boards that are broader than those used for flooring elsewhere in the residence were purposefully selected to be in “keeping with the size or dimensions of the room.” The space was illuminated with a large and ornate chandelier that was centrally placed and sconces were situated on walls throughout the space, including on either side of the fireplace.

(Photo courtesy of the Wisconsin Historical Society)

As "attractive a small theater. . ."

Work concluded in March 1913; on the 15^th of that month the Auditorium was opened with a Saturday afternoon matinée performance of “Modern Eve.” The daytime show was scheduled for the “benefit of our of town patrons,” with consideration also extended to the children of the community. The discounted fifty-cent seats in the balcony were reserved for children twelve years of age and under. The formal dedication of the auditorium occurred that evening with the presentation of “The Only Son.” Prior to the performance, Richland Center’s Mayor P. L. Lincoln addressed the audience and extended public thanks to the community, to the building committee and to the contractor. Within months of opening, the success of the auditorium required the city to expand the width of the sidewalk in front of the building to accommodate crowds congregating before and after performances; at that time the city also placed two ornamental electric light posts at each corner of the building.

Shortly following the completion of the auditorium, journalist Walter A. Dyer visited Richland Center and wrote a piece for the New York-based publication World’s Work. In the August 1915 issue Dyer shared his complimentary perceptions of Richland Center and provided a national audience with a glowing description of the community, which he said exemplified cooperative action and the spirit of the Middle West. Dyer’s article offered an excellent description of the features and the arrangement of spaces in the new auditorium. He commented that it was “as attractive a small theater, opera house, and lecture hall" as he had ever seen, and offered further that “its decorative beauty scarcely conceals its look of confident efficiency.” In his final analysis of the building he wrote,

The Richland Center Auditorium has undoubtedly contributed in a degree to the community spirit and democracy of the place, and it has given the leaders a confidence in social experimentation. It is a popular institution with no taint of philanthropy, and it is used by the people largely because they built it themselves.

(Photo courtesy of the Richland Center History Room)

Historic Street Scene, Richland Center, WI

A crowd gathered one summer evening over a half century ago outside the Municipal Building and Auditorium in the hills of Richland Center, WI. When it was built in 1913, it was the first City Hall in Wisconsin to include an entertainment venue managed by the city.

At the turn of the 20th century Richland Center was home to several womens groups who were dedicated to securing equal opportunities for themselves, in addition to providing community service. Collectively they lent impetus to the construction of a new city office building that also housed an auditorium, so that this rural community could enjoy theater, professional musical performances and political debate.

As a center of community activity for nearly a century, the building has provided a focal point to the business district and a place where city dwellers mingle with their rural neighbors and all share in entertainment and socializing.

(Photo courtesy of the Richland Center History Room)

Wisconsin Historical Society, c. 1900

A beautiful collection of photographs that were taken by Superintendent of Construction Francis Grant during the building of the Wisconsin Historical Society are part of the society's collection. They can be seen at its archives.

Wisconsin Historical Society Reading Room, 1954 Remodeling

Although the volume of the Reading Room was maintained, significant changes were implemented in the remodeling that took place in 1954. The Reading Room and circulation areas were painted, large areas of flooring were replaced, skylights and historic fixtures were removed and fluorescent lighting installed. The spaces contiguous to the Reading Room and its circulation area also were modified.

In the Reading Room a suspended ceiling was installed that concealed the original decorative ceiling and diffused new ambient illumination provided by fluorescent tubes. Furniture was moved. Most significantly a new circulation desk was built that spanned between the columns in the Reading Room; the card catalog was moved from the circulation area to assume a new prominence at the center of the Reading Room. In this location, it also served to divide the space into two discrete zones.

What had been conceived as a space with a single function, “reading,” was modified to perform as a multi-use space. The long tables were removed from the north side of the room, where smaller tables containing reference collections, conversation areas and newspaper reading stands were installed. While the older circulation desks remained in place the areas behind them, including the former delivery areas, became more fully dedicated to the use of staff.

(Photo Courtesy of the Wisconsin Historical Society)

Appleton celebrates the opening of Fox River Locks

The "7Cs" approached the filled chamber of Appleton Lock 2 on Saturday May 19th. The paddle wheeler arrived with community and state dignitaries aboard, along with members of the Navigational System Authority, to celebrate the reopening of the Appleton Locks. The occasion was marked by music, speeches and a great deal of applause for the accomplishment of the Navigational Authority in completing this phase of the work.

"Cedars," Little Chute, WI

The next lock to be restored on the Lower Fox River is known simply as "Cedars." It is very near the site where in 1836 the Menominee Indian nation ceded approximately 4 million acres of land to the United States for about 17 cents an acre. The "Treaty of the Cedars" was the result of an amicable six-day meeting that reportedly was characterized by mutual respect and a sense of fairness. The agreement enabled the US government to begin developing the Lower Fox River to better facilitate trade and settlement. Within the next decade work was underway to create a system of locks and dams.

Sunshine and Shadows on Freshly Cleaned Stone

The masonry chambers of the locks that comprise the Lower Fox River navigational system are being tuck pointed and cleaned as part of their restoration. The railing and hand levers of the lower gate at Appleton Lock #2 cast a shadow across the freshly repaired stone wall. The shadow of the latticed spar that opens and closes the gates also is visible.

Appleton Lock #2

Aside from the completion of some site work, the restoration of Appleton Lock #2 has been completed. The stone chamber has been tuck pointed, the gates re-built using as much of the historic metal as possible and the valves and operating mechanisms have been fully refurbished and put back into good working order. The Appleton Locks will be in full operation within the next two months--once the ice fully melts and the canal is reflooded.

Survey and Documentation at the Wisconsin Historical Society

Jim Sewell, a Preservation Architect with the Wisconsin Historical Society, traveled the upper reaches of the Reading Room aboard the precarious-looking Genie to have a closer look at the panels that were installed in the 1950s to replace the historic decorative glass. When modifications were made to close the skylights on the roof and a floor was put in on the level directly above to create additional office space, a generous gap was left above the Reading Room ceiling. This may someday facilitate restoring the appearance of back lit decorative glass in the space.

Light as a Decorative Finish

For more than a century, a beautiful pattern of light occurred at the start of each sunny day on the wall opposite the windows in the east facade of the Reading Room.

The Appleton Flats

Appleton Lock 3 is situated in the industrial area of Appleton long referred to as "the Flats." For years the community turned its back on the Fox River, largely due to this industrial association and the pollution that resulted from the river having been in service to manufacturing for over a century. With strategies now being implemented to clean the river and restore some of its recreational potential, the old factories and warehouses lining its banks are being rehabilitated as spaces for working, living and gathering. The restoration of the turn-of-the-century navigational features is a part of the river renaissance.

Obscured by Plexiglass

The decorative plaster elements in the ceiling coffers of the Wisconsin Historical Society Reading Room were exposed last week when the plexiglass panels that conceal fluorescent tubes were removed. Modifications made to Society Headquarters in the 1950s and 1960s that were intended to modernize the building have compromised the architectural integrity of spaces through out. However, the Reading Room has retained a good deal of its original historic fabric along with its monumental volume. Having been "tucked away" for fifty years may have spared these decorative elements from further alteration.

Appleton Lock #4

Work is being completed on the first phase of the restoration of the Fox River Navigational system in Appleton. Above, two images from Appleton Lock 4 illustrate some of the repairs and improvements. A wood Lock Keepers shack was installed at the site, replacing a utilitarian metal structure from the 1970s or 1980s that had, in turn, replaced a wood shack that was similar to this replica. The design of the wood structure was based on historic prototype as revealed by old photographs and extant examples of the circa 1915 buildings that remained in place at Appleton Lock sites 2 and 3. The simple post light fixtures lining the edge of the chamber are based on a 1929 Corps of Engineers drawing for a nearly identical lamp that had illuminated this lock for at least five decades.

The lower photograph illustrates the refurbished metal flywheel and gears that are used to manipulate the gates that flood the chamber. The lattice spar that extends from the wall is attached to the gate and another hand-operated mechanism (not visible). A similar apparatus is attached to each of the four gates and is used to open and close them.

Fox Locks Restoration Nears Milestone

A week ago the Appleton Post Crescent reported:

The Fox River Navigational System Authority is nearing completion on the first phase of restoring the river's 150-year-old lock system. Once Appleton's locks are completed this year, the restoration project will be one-third finished.

Officials with the authority and construction firm C.R. Meyer will hold an afternoon news conference and demonstration on Appleton's Lock Four today to mark their progress. Once complete, the locks will open navigation along the river from Lake Winnebago to Green Bay.

Harlan Kiesow, chief executive officer of the authority, said the historical significance of the locks is key to the project, and the ultimate impact of reopening the river will go far beyond fun on the water. "It's not just for boaters," he said. "This could open business opportunities to the waterfront like Trolley Square in Appleton, and could open other recreational possibilities."

The Appleton phase of the project began in April and cost $2.2 million. Each of Appleton's four locks will be completed within weeks. Lock Four beneath the College Avenue bridge is finished, and the remaining three locks in Appleton are close to done.

The authority will turn its attention to the locks in Little Chute next year, and restoration of the Kaukauna locks will take place in 2008. The Fox River locks system comprises 17 locks. The U.S. Army Corps of Engineers was once responsible for the operation and upkeep of the system. The corps closed 14 of the locks, leaving open those in De Pere, Lawrence and Menasha.

Appleton's locks haven't operated since 1982. The corps turned the lock system over to the navigational system authority, which is now responsible for restoration and future operation of the locks. Appleton's portion of the system restoration hasn't been without challenges. Water remained a difficulty even after canal drainage due to storm drains that empty into the canal, according to the authority. Reconstruction of mechanical gear also proved difficult as a key function of the project was maintaining the historical integrity of the locks.

Work done this year included replacement or repair of gear and valve systems on the four locks, construction of four replica lock tender houses, concrete repair and replacement of lock gates. The Appleton phase added more than four miles of navigable water to the area.Although Appleton's locks will be ready for use in a matter of weeks, they'll remain closed until 2008 because of upcoming work on the Lawe Street Bridge, Kiesow said.

Jim Collar, Appleton Post Crescent
December 15, 2006

Hymn to the Wisconsin Historical Society Library

So shall this sacred temple stand
the treasures of a noble state;
And all the good Thy wisdom planned,
Man's labor into life translate.

Hymn prepared for the October 19, 1900 dedication of the
Wisconsin State Historical Library (Final stanza),
by Mary M. Adams

Gilded Lady atop the Granite Dome

The Wisconsin State Capitol was one of the last major Beaux Arts-inspired structures erected in the United States. New York architect George Post’s capitol epitomized the grandeur of an American architecture that was slipping into the past, even as the building was being completed.

The construction of the exterior culminated in the summer of 1914 with the placement of Daniel Chester French’s great gilded figure "Wisconsin." On July 20th thousands of spectators watched as the three-ton statue was hoisted by derricks approximately 270 feet to the top of the massive granite dome. "Wisconsin" stands at a height of 15’-5” and holds her right arm outstretched, gesturing with an open hand towards Lake Monona. In her left hand she holds an orb atop which an eagle spreads its wings. The cape that covers her classical robe is fastened in front with an ornamental breastplate that bears an elaborate "W" while her headdress incorporates elements that symbolize the attributes of the state. Abundance and agriculture are represented by ears of corn and decorative flowers, while the state animal, the badger, peers over her forehead from the crown of her headpiece.

Cast in six sections, the hollow bronze figure is positioned on a convex base inscribed "D.C. French, Sc. 1912;" "Cast by Roman Bronze Foundry, N.Y.”

Wisconsin Historical Society Reading Room: Column and Skylight in three versions

The Preservation Resource Center of New Orleans (PRCNO)

Cornerstone Preservation participated in the PRCNO’s “Operation Comeback” as one of many firms that donated services to aid in the reconstruction of the storm and flood damaged neighborhoods of New Orleans. The Resource Center, which has been in operation since 1974, has shifted its preservation advocacy programs into overtime in the aftermath of Hurricane Katrina. In addition to coordinating pro-bono meetings between property owners and preservation professionals from across the country, the PRCNO also purchases and restores run down and abandoned properties in an effort to revitalize New Orleans historic neighborhoods. Visit PRCNO’s website to learn more about the great work of its dedicated staff and how you can help.

An Urban Survivor

Ray’s neighborhood was empty when we arrived. There was little sign of life and even less of the rebuilding and healing that the nation would like to believe is taking place in the historic districts of New Orleans. Ray told us that within his city, the blighted areas seem to remain “out of sight and out of mind” to far too many. Several of his neighbors had abandoned their properties and have not returned to help him breath life back into this once proud neighborhood.

Ray just turned forty-five and never has lived anywhere but the Holy Cross district. As he recounted stories of better days, he spoke of community and friendship, of the small businesses that once thrived in the neighborhood and their colorful proprietors. His younger middle-aged brother was quiet and remained in the shadows as we conducted our evaluation of his family’s two residences in the neighborhood. As he looked inward and remembered, tears welled in his eyes.

The brothers are committed to repairing their homes and rebuilding their lives. They clearly are overwhelmed and, by their account, there is little help. They were touched by the attention we extended to them in conducting an evaluation of their properties and thanked us in advance for the promised inventory that would itemize damage and make recommendations for the work that needed to be done.

What needs to be done is far more than Ray and his brother will be able to accomplish alone. Yet, each day they set to their work and continue to hope that some manner of help is on its way (despite the year that has passed since tragedy changed the very fabric of their lives) and remain optimistic that others will follow in rebuilding the nearby abandoned residences. Their passion for the past and normalcy that once characterized their lives is palpable. Every step they take appears to be a step towards attaining the goal of re-establishing the life they once knew.

19th Century Lower Fox River Locks

In 1866 with control of the Lower Fox River transferred to the Green Bay and Mississippi Canal Company, the federal government sent Major Charles Sutter to survey the canal system and make recommendations for its improvement. Major Sutter reported on the fully completed canal, two dams and four locks in the Grand Chute area (now Appleton), offering that the lower dam was water-tight and in good condition, but that some settling and seepage was taking place at the upper dam. He described the first three locks as positioned along a 3,600 foot canal bypassing the upper dam. According to Major Sutter all three locks required new planking and gates; the fourth lock, on a separate 1,267 foot canal bypassing the lower dam, was observed as being in good condition although replacement gates were recommended.

Four years later, the United States government took over the Lower Fox waterway, including the Grand Chute locks, and in 1872 the system were placed in the care of Major D.C. Houston of the Corps of Engineers. Following his survey of the man-made elements, he reported to Congress on the condition of the waterway. Concerning the features in Appleton, he indicated that they generally were in poor condition, noting that the upper dam required new gravel each season to keep it tight. Of the locks, he observed all in need of remedial attention that included replanking beneath the water line and found Lock 2 in the worst condition, with its south wall threatening to collapse.

A Glimpse into the Wisconsin State Capitol

From the Rotunda, the barrel vaults open to a height of four stories and extend into the wings through the grand marble stairs that ascend to the second level. Spatial hierarchy, conveyed through proportion, materials and decorative finish, is evident throughout. Elegantly appointed public spaces house the Supreme Court, the Senate, the Assembly and the offices of the governor. The meeting rooms dedicated to the Senate and Assembly contain large public galleries and monumental murals. The Supreme Court Hearing Room, also at a scale that accommodated public hearings, was finished with a series of four murals based on subject matter provided by the then-seated justices. The North Hearing Room, originally designed for the use of the Railroad Commission, was finished in marble and furnished with murals on the theme of transportation.

The clear demarcation between public and private space is central to the development of architect George B. Post’s scheme. The public spaces, such as the Rotunda, chambers and major corridors are characterized by ornate decoration, rich materials and lavish details. The private offices, designed to be adaptable through the use of interior non-load-bearing walls, were constructed at a smaller and more intimate scale, although even the smallest offices were finished with wood trim and ornamental stencil work.The spatial hierarchy Post established architecturally was reinforced through the furnishings installed and by the decorative finish paint applied throughout by the New York firm of Mack, Jenney and Tyler.

Cross Plains, WI

Cross Plains is a small community located about 15 miles west of Madison. Highway 14, which has been dubbed by the state "Frank Lloyd Wright Memorial Highway" is the easiest way to get here. This is the same route Wright traveled to and from his home Taliesin near Spring Green, another thirty miles west. Cross Plains remains unfettered by urban sprawl; a two-mile trip from the center of the village brings you to Festge Park, a bluff that rises above the rich agricultural landscape.

The Historic Structure Report: A Planning Study or Design Document?

Until very recently there had been much confusion among both building owners and professionals concerning the purpose and intent of the “Historic Structure Report” as product and as process. Then the National Park Service (NPS) issued its long awaited (in some circles) Preservation Brief 43, The Preparation and Use of Historic Structure Reports. The Park Service’s guidelines represent a huge service to the entire preservation community. They will assist the development of a commonly held understanding (that transcends regions and professional disciplines) concerning the objective of a historic structure report. Further, this document should go a long way towards standardizing form and content.

The NPS clearly conceives of the HSR as a planning document in which architectural research is assembled comprehensively, the relative significance of building elements are identified, conditions are assessed, preservation planning (or the identification of proposed preservation treatments) occurs and general recommendations are established. Key is that this process presents an opportunity to link the building with its past.

The HSR should analyze existing conditions in light of documented history and identify preservation goals in the best interest of the building. If the report satisfies the later purpose, a roadmap will be in place that will foster consensus and an approach to design that will be correct for the building. Work priorities and preliminary costs represent a part of the study, but to arrive at a detailed restoration scope of work and project budget is beyond the purview of a HSR as described by the Park Service. (“The level of detail to which the work items are defined should be limited in the historic structure report, as these recommendations serve as the foundation for, rather than in place of, design and construction documents for the work.”)

Frank Lloyd Wright's Meeting House

The Unitarian Meeting House can be seen as exemplifying national trends in post-World War II American culture for its suburban location and modernist design, but it does so with an air of nonconformity that reflects the social and architectural sensibilities Frank Lloyd Wright had cultivated late in his career and which were unique to the architect.The church is significant as a highly personal expression of the faith, heritage and aspirations of Wright as he approached the end of his life.

The Meeting House also is significant internationally as a premier example of Wright’s late Usonian architecture, yet unusual for its non-residential application. As was typical throughout Wright’s career, the Meeting House was ahead of its time and presaged trends to come. The amalgam of old and new elements in the Meeting House reveals how very personal the building was to Wright and therefore how unique it is within his work. Drawing upon youthful memories and other religious structures with which he was familiar or had designed, Wright created a church that bears testimony both to his nineteenth-century heritage and twentieth-century vision.In April 1959 Rev. Gaebler, the minister of the First Unitarian Society of Madison, officiated at Wright’s funeral at Unity Chapel (near Taliesin) and burial in the adjacent Lloyd Jones family cemetery. At his time of death, the Unitarian Meeting House was the only large public building Wright had lived to see constructed in Wisconsin, an architectural signature statement in the state where he was born and the city he had once called home.

Steven W. Wadzinski: Transition to the Historic

With Steve Wadzinski's unexpected and premature death on August 11, 2006 the architectural work of this unsullied and talented designer transitioned into the realm of the historic. The top image is a detail representing a small section of a barn that he had been rehabilitating (as artistic process) for the past decade. It functioned as a space for his many artistic pursuits, as well as a gathering place for family and friends. The other is his last building, which was completed just prior to his death (note that construction permits still are visable in the front window). It was intended to be an art studio/educational facility, the physical embodiment of a long held dream to share his artistic vitality with others. These buildings are located a short distance from Lake Michigan in Bailey's Harbor, WI. This was a landscape deeply cherished by Steve and the context for his most creative work.

The Unitarian Meeting House (not enough?)

Yesterday the First Unitarian Society of Madison gathered to vote on whether or not to build a +6 million dollar addition to their Frank Lloyd Wright-designed facility. Since this would represent a financial stretch for the congregation, the ongoing preservation and maintenance of the historic facility falls into question. A HSR recently completed for the Meeting House identified costs associated with preservation of the 1951 building. However within the context of the current capital campaign, which is focusing on new construction, the dollars allocated to the care of the landmark fall short.

Why Blog?!?

Cornerstone Preservation documents and evaluates historic structures and sites in order to facilitate their sensitive care and restoration. Also, since dissemination of information represents a "cornerstone" of our work philosophy, this blog was established as a venue through which to share work in progress, work completed and general observations on related topics.

Buildings do not need to be large to be important. This exterior detail is from a small utilitarian shack that provided shelter to the lock tenders on the Fox River in Appleton, WI since about 1917. The system is one of only a couple in the nation that continues to use hand operated valves to flood the chambers and a tripod with spar to open and close the gates. These navigational features had been "mothballed" by the Army Corps of Engineers in the 1980s; they recently were acquired by the State of Wisconsin and currently are being restored and returned to operation.